The German duo are returning with the results of their whirlwind session with the late dub legend, best heard in a ‘spatial audio’ installation. They explain why such an unexpected move is par for their artistic courseInterviewing Mouse on Mars is no easy feat. Not because the duo are hard to find, even though their current studio is hidden in a courtyard deep in Berlin’s Kreuzberg district. Nor because they continue to be notoriously busy, particularly since one half of the band, Jan St Werner (born Jan Stephan Werner), is now a professor in pop music, at the Folkwang University of the Arts in the western German city of Essen. No, a conversation with Mouse on Mars is an exercise in perseverance and endurance.Which does not mean it is unpleasurable to chat with Andi Toma and St Werner, as well as their unofficial member and longtime collaborator, the percussionist Dodo NKishi. But any answer to a question may end up somewhere entirely different than originally intended, spanning from the quality of the fruit juice NKishi brought to the studio, to esoteric, tech-optimist digressions on the possibility of forensic resynthesising of the past through archival audio. Continue reading...
Source: https://www.theguardian.com/music/2026/may/28/mouse-on-mars
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‘We’re waiting for the plan to find us’: Mouse on Mars on working with Lee ‘Scratch’ Perry and 30 years of oblique adventures in sound
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Original Source: www.theguardian.com
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